Kasey Toomey’s work has to do with objects and the spatial and phenomenological ordering of our environment. Toomey approaches sculpture as a model to relate objects which are not present, exploring the gap between belief and disbelief which characterizes all representations, and most notably contemporary art. He addresses this issue both by shaping sculptures with the materials of consumerist culture, and by interacting with them through his own body. In these ways, Toomey re-injects a ritualistic dimension in our environment, sardonically providing an answer to his own question: “Where has the magic gone?”.